{"id":2982,"date":"2022-03-22T22:04:30","date_gmt":"2022-03-22T21:04:30","guid":{"rendered":"https:\/\/museofellini.studiovisuale.it\/cinemino\/"},"modified":"2025-09-02T10:18:34","modified_gmt":"2025-09-02T08:18:34","slug":"cinemino","status":"publish","type":"page","link":"https:\/\/fellinimuseum.it\/en\/cinemino\/","title":{"rendered":"Cinemino"},"content":{"rendered":"
\r\n
\r\n
\r\n
\r\n
\r\n

The Cinemino<\/h3>\r\n
\r\n

The Cinemino is a small cinema in the heart of the Fulgor Palace where every Tuesday at 2pm Fellini’s films are shown in rotation.<\/p>\n

Every day the documentary \u201cLa verit\u00e0 della menzogna\u201d by Gianni Canova and Chiara Lenzi (Italy 2021, 72\u2032), produced by Lumi\u00e8re&.Co and Anteo exclusively for FM – Fellini Museum Rimini, is shown on a loop.<\/p>\n

Access to the cinema is reserved for visitors to FM \u2013 Fellini Museum<\/strong><\/p>\n

 <\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n

\r\n
\r\n \"\" <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>\n\n
\n
\n
\n \n

Movie schedule<\/h2> \n \n\n

Fulgor Palace at 14.00 <\/strong><\/p>\n <\/div>\n <\/div>\n\n

\n
\n
\n\n
\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Block-notes di un regista<\/h4>\n by Federico Fellini (Italy 1969, 60\u2032)<\/span>\n <\/div>\n

It is a fake documentary following Fellini along the remains of Il viaggio di G. Mastorna\u2019s set and then on his inspections to find relics of ancient times and during Satyricon auditions..<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

I clowns<\/h4>\n by Federico Fellini (Italy 1970, 93\u2032)<\/span>\n <\/div>\n

A circus tent is being installed and a child looks on curiously. Clowns remind him of some real-life characters. We then move on to the present day. Fellini is looking for old clowns and is willing to listening to them telling him their memories.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Fellini degli spiriti<\/h4>\n by Anselma Dell’Olio (Italy 2020, 100\u2019)<\/span>\n <\/div>\n

The documentary that describes, for the first time, Federico Fellini’s “unseen,” spiritual and supernatural world through extraordinary archival materials from Rai Teche and Istituto Luce, images from his films and exclusive interviews.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Il Casanova di Federico Fellini<\/h4>\n by Federico Fellini (Italy 1976, 170\u2032)<\/span>\n <\/div>\n

During the Venice Carnival Giacomo Casanova accepts to make sex with a fake nun to please the woman\u2019s lover – who\u2019s a French ambassador and a voyeur – and hopefully draw some advantages. He is instead arrested by the Inquisition and charged with black magic.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Ginger e Fred<\/h4>\n by Federico Fellini (Italy 1985, 125\u2032)<\/span>\n <\/div>\n

Amelia, a former dancer called \u201cGinger\u201d, arrives at Termini railways station; she is a widower and owns a small business. She has to dance on a television variety show with her old partner Pippo, called \u201cFred\u201d. It\u2019s Christmas time and the station is crowded.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Fellini fine mai<\/h4>\n by Eugenio Cappuccio (Italy 2019, 81\u2032)<\/span>\n <\/div>\n

Eugenio Cappuccio reconstructs in this documentary how he got to know Fellini in Rimini as an adolescent, and later, after having studied at Centro Sperimentale di Cinematografia, when they worked together on the set of Ginger and Fred.<\/em><\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

La dolce vita<\/h4>\n by Federico Fellini (Italy 1960, 178\u2032)<\/span>\n <\/div>\n

Marcello is a gossip columnist, and is searching for a way to become a serious writer. He\u2019s fully involved in Rome\u2019s \u2018dolce vita\u2019. He\u2019s flirting with an aristocrat who\u2019s always looking for new emotions. He has a partner, Emma, and feels oppressed by her jealousy.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

La citt\u00e0 delle donne<\/h4>\n by Federico Fellini (Italy 1980, 145\u2032)<\/span>\n <\/div>\n

During a train ride across the country, Sn\u00e0poraz, a well-bred fifty-year-old man, wakes up and has a brief fling with a beautiful woman in the restroom. The train suddenly stops and the woman gets off. Sn\u00e0poraz follows her into the wood and into a Grand Hotel Miramare.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

I Vitelloni<\/h4>\n by Federico Fellini (Italy 1953, 103\u2032)<\/span>\n <\/div>\n

Set in the director’s hometown of Rimini, I Vitelloni follows the lives of five young vitelloni, or layabouts, who while away their listless days in their small seaside village. Fausto, the leader of the pack, marries his sweetheart, but finds himself constantly distracted by other women.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Il bidone<\/h4>\n by Federico Fellini (Italy 1955, 104\u2032)<\/span>\n <\/div>\n

Roberto, Picasso and August are \u2018professional swindlers\u2019. They dress up as priests and cheat, then they pretend to be government officers and swindle people living in emergency housing while promising them they\u2019ll be assigned a house.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Lo sceicco bianco<\/h4>\n by Federico Fellini (Italy 1952, 85\u2032)<\/span>\n <\/div>\n

Two newly-weds, Wanda and Ivan, are spending their honeymoon in Rome during the Holy Year. He comes from a bourgeois family and has planned everything, including visiting the Pope. As soon as they arrive in Rome, Wanda leaves the hotel and looks for the White Sheik.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Luci del variet\u00e0<\/h4>\n by Federico Fellini (Italy 1950, 100\u2032)<\/span>\n <\/div>\n

“Luci del Variet\u00e0” is about a bunch of misfits of a traveling vaudeville troupe. The group of actors, dancers, and performers struggle to make money and perform in front of just a few people. Their director, Checco Dal Monte, wants to be successful.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Prova d’orchestra<\/h4>\n by Federico Fellini (Italy 1979, 70\u2032)<\/span>\n <\/div>\n

An orchestra assembles for a symphony concert rehearsal in a parish youth club (\u2018oratorio\u2019). Instrumentalists arrive in small groups and take their seats. Union shop stewards are there too, in a corner.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Roma<\/h4>\n by Federico Fellini (Italy 1972, 119\u2032)<\/span>\n <\/div>\n

Early in the \u201830s, a young man who\u2019s staying at a boarding school run by priests imagines Rome based on his teachers\u2019 statements and the Fascist regime\u2019s rhetoric. In 1939, when he turns twenty, he goes to Rome and discovers the city\u2019s real nature.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Boccaccio ’70 (“Le tentazioni del dottor Antonio”)<\/h4>\n by Federico Fellini (Italy 1962, 60\u2032)<\/span>\n <\/div>\n

Doctor Antonio, an unbending moralist, waged a personal war against spreading immorality. He improvised sermons in front of a boy-scout audience, he bothered couples looking for intimacy, he even tore off covers from magazines displayed at newspaper kiosks.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Amarcord<\/h4>\n by Federico Fellini (Italy 1973, 127\u2032)<\/span>\n <\/div>\n

The film is set in the 30s in Rimini. The inhabitants of the town are very peculiar. Titta is a teenager who is growing up with a Catholic education and the Fascist rhetoric. His father Aurelio is an anarchical and antifascist master mason, who has to support his family.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

8\u00bd<\/h4>\n by Federico Fellini (Italy 1963, 114\u2032)<\/span>\n <\/div>\n

Guido Anselmi, a famous Italian film director, is suffering from the “director’s block”. Despite Anselmi declaring that this movie should be an easy one to make, he is having problems with his artistic vision, and in particular he does not want to tell lies on the screen.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

E la nave va<\/h4>\n by Federico Fellini (Italy 1983, 132\u2032)<\/span>\n <\/div>\n

The film opens with the liner \u201cGloria N.\u201d ready to sail from Naples Harbor in July 1914. Orlando, an Italian journalist, tells viewers that the cruise is a funeral voyage to scatter opera singer Edmea Tetua\u2019s ashes near the island of Erimo, her birthplace.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Giulietta degli spiriti<\/h4>\n by Federico Fellini (Italy 1965, 120\u2032)<\/span>\n <\/div>\n

Giulietta is a wealthy middle-class housewife living in Fregene, who constantly fears her husband Giorgio is cheating on her. While she yearns for a peaceful intimate evening with him on the night of their 15th wedding anniversary, the egotistical Giorgio has forgotten about it and arrives home with his eccentric friends.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Intervista<\/h4>\n by Federico Fellini (Italy 1987, 113\u2032)<\/span>\n <\/div>\n

Intervista begins with a Japanese television crew arriving at the studio early to be able to watch Fellini as he starts shooting a new film, which is said to be an adaptation of Kafka’s Amerika.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Tre passi nel delirio (\u201cToby Dammit\u201d)<\/h4>\n by Federico Fellini (Italy 1968, 43\u2032)<\/span>\n <\/div>\n

Toby Dammit, a former Shakespearean actor, and a drug-addict and an alcoholic at present, is in Rome. He\u2019s going to be the main character of the first Catholic western film.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Siamo qui per provare<\/h4>\n by Greta de Lazzaris e Jacopo Quadri (Italy 2022, 88\u2019)<\/span>\n <\/div>\n

A theater documentary following a company through the turbulent creative process of a show in search of its script.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Fellini Satyricon<\/h4>\n by Federico Fellini (Italy 1969, 138\u2019)<\/span>\n <\/div>\n

Two young men, Encolpius and Ascyltus, are in love with an effeminate boy named Giton. Ascyltus \u2018steals\u2019 Giton from Encolpius and sells him to Vernacchio, an actor of vulgar pantomimes. Encolpius manages to take Giton back.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

Fellini e l’ombra<\/h4>\n by Catherine McGilvray (Italy, 2021, 64′)<\/span>\n <\/div>\n

Fellini lived with a secret, one that Claudia, a Portuguese documentary filmmaker who was interested in making a film about him, investigated. The traces of this secret are in the Book of Dreams and in Fellini’s relationship with Dr. Bernhard, his analyst and pioneer of Jungian psychoanalysis in Italy, without whom the masterpiece film 8 1\/2 would never have been made. Other traces also appear in some coincidences, in the testimonies of friends, in the places dear to Fellini: Rome, Rimini, Jung’s Tower House in Bollingen. But what Claudia discovers is also something magical and moving: the certainty that for Fellini the dream is the only true reality.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n <\/div>\n
\n
\n
\n\n <\/span>\n
\n

La voce della luna<\/h4>\n by Federico Fellini (Italy 1990, 118\u2032)<\/span>\n <\/div>\n

Hinting at the lunar-obsessed lyrics of Italian poet Giacomo Leopardi, the tale focuses on Micheluzzi Brothers capturing the moon while Ivo – who\u2019s just been dismissed from a mental hospital – tries to seduce Aldina Ferruzzi, the woman he\u2019s in love with.<\/p>\n

view more<\/strong><\/a><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2982","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nCinemino - Fellini Museum<\/title>\n<meta name=\"description\" content=\"The Cinemino is a small hall in the Palazzo del Fulgor in Rimini, where Fellini's films are shown in rotation every Tuesday at 4pm.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fellinimuseum.it\/en\/cinemino\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cinemino - Fellini Museum\" \/>\n<meta property=\"og:description\" content=\"The Cinemino is a small hall in the Palazzo del Fulgor in Rimini, where Fellini's films are shown in rotation every Tuesday at 4pm.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fellinimuseum.it\/en\/cinemino\/\" \/>\n<meta property=\"og:site_name\" content=\"Fellini Museum\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/FelliniMuseum\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-02T08:18:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fellinimuseum.it\/wp-content\/uploads\/2023\/12\/logo-fellini-biancoenero.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1408\" \/>\n\t<meta property=\"og:image:height\" content=\"850\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/cinemino\\\/\",\"url\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/cinemino\\\/\",\"name\":\"Cinemino - Fellini Museum\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#website\"},\"datePublished\":\"2022-03-22T21:04:30+00:00\",\"dateModified\":\"2025-09-02T08:18:34+00:00\",\"description\":\"The Cinemino is a small hall in the Palazzo del Fulgor in Rimini, where Fellini's films are shown in rotation every Tuesday at 4pm.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/cinemino\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/cinemino\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/cinemino\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cinemino\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#website\",\"url\":\"https:\\\/\\\/fellinimuseum.it\\\/\",\"name\":\"Fellini Museum\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/fellinimuseum.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#organization\",\"name\":\"Fellini Museum\",\"url\":\"https:\\\/\\\/fellinimuseum.it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/fellinimuseum.it\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/logo-fellini-biancoenero.jpg\",\"contentUrl\":\"https:\\\/\\\/fellinimuseum.it\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/logo-fellini-biancoenero.jpg\",\"width\":1408,\"height\":850,\"caption\":\"Fellini Museum\"},\"image\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/FelliniMuseum\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cinemino - Fellini Museum","description":"The Cinemino is a small hall in the Palazzo del Fulgor in Rimini, where Fellini's films are shown in rotation every Tuesday at 4pm.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/fellinimuseum.it\/en\/cinemino\/","og_locale":"en_US","og_type":"article","og_title":"Cinemino - Fellini Museum","og_description":"The Cinemino is a small hall in the Palazzo del Fulgor in Rimini, where Fellini's films are shown in rotation every Tuesday at 4pm.","og_url":"https:\/\/fellinimuseum.it\/en\/cinemino\/","og_site_name":"Fellini Museum","article_publisher":"https:\/\/www.facebook.com\/FelliniMuseum\/","article_modified_time":"2025-09-02T08:18:34+00:00","og_image":[{"width":1408,"height":850,"url":"https:\/\/fellinimuseum.it\/wp-content\/uploads\/2023\/12\/logo-fellini-biancoenero.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/fellinimuseum.it\/en\/cinemino\/","url":"https:\/\/fellinimuseum.it\/en\/cinemino\/","name":"Cinemino - Fellini Museum","isPartOf":{"@id":"https:\/\/fellinimuseum.it\/#website"},"datePublished":"2022-03-22T21:04:30+00:00","dateModified":"2025-09-02T08:18:34+00:00","description":"The Cinemino is a small hall in the Palazzo del Fulgor in Rimini, where Fellini's films are shown in rotation every Tuesday at 4pm.","breadcrumb":{"@id":"https:\/\/fellinimuseum.it\/en\/cinemino\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/fellinimuseum.it\/en\/cinemino\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/fellinimuseum.it\/en\/cinemino\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/fellinimuseum.it\/en\/"},{"@type":"ListItem","position":2,"name":"Cinemino"}]},{"@type":"WebSite","@id":"https:\/\/fellinimuseum.it\/#website","url":"https:\/\/fellinimuseum.it\/","name":"Fellini Museum","description":"","publisher":{"@id":"https:\/\/fellinimuseum.it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/fellinimuseum.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/fellinimuseum.it\/#organization","name":"Fellini Museum","url":"https:\/\/fellinimuseum.it\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/fellinimuseum.it\/#\/schema\/logo\/image\/","url":"https:\/\/fellinimuseum.it\/wp-content\/uploads\/2023\/12\/logo-fellini-biancoenero.jpg","contentUrl":"https:\/\/fellinimuseum.it\/wp-content\/uploads\/2023\/12\/logo-fellini-biancoenero.jpg","width":1408,"height":850,"caption":"Fellini Museum"},"image":{"@id":"https:\/\/fellinimuseum.it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/FelliniMuseum\/"]}]}},"_links":{"self":[{"href":"https:\/\/fellinimuseum.it\/en\/wp-json\/wp\/v2\/pages\/2982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fellinimuseum.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fellinimuseum.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fellinimuseum.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fellinimuseum.it\/en\/wp-json\/wp\/v2\/comments?post=2982"}],"version-history":[{"count":69,"href":"https:\/\/fellinimuseum.it\/en\/wp-json\/wp\/v2\/pages\/2982\/revisions"}],"predecessor-version":[{"id":6302,"href":"https:\/\/fellinimuseum.it\/en\/wp-json\/wp\/v2\/pages\/2982\/revisions\/6302"}],"wp:attachment":[{"href":"https:\/\/fellinimuseum.it\/en\/wp-json\/wp\/v2\/media?parent=2982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}