{"id":1115,"date":"2022-04-13T05:06:50","date_gmt":"2022-04-13T03:06:50","guid":{"rendered":"https:\/\/museofellini.studiovisuale.it\/2022\/04\/13\/la-dolce-vita\/"},"modified":"2024-04-17T14:36:41","modified_gmt":"2024-04-17T12:36:41","slug":"la-dolce-vita","status":"publish","type":"post","link":"https:\/\/fellinimuseum.it\/en\/la-dolce-vita\/","title":{"rendered":"La dolce vita"},"content":{"rendered":"
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La dolce vita<\/h1>\n
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Year: 1960
\nFormat: Black and white
\nRuntime: 178 min
\nProduction: Riama Film (Roma), Path\u00e9 Consortium Cin\u00e9ma (Paris)
\nWord sales: Cineriz
\nViewed censorship: 3107021\/01\/1960<\/p>\n

Marcello is a gossip columnist, and is searching for a way to become a serious writer. He\u2019s fully involved in Rome\u2019s \u2018dolce vita\u2019. He\u2019s flirting with an aristocrat who\u2019s always looking for new emotions. He has a partner, Emma, and feels oppressed by her jealousy; she attempts to commit suicide. He woes Sylvia \u2013 a very popular and explosive movie star \u2013 to no avail. Sylvia bathes in the Trevi Fountain and is very sexy. Two children invent a fake vision of the Virgin Mary and he meets a sophisticated intellectual, Mr. Steiner. Marcello admires his family and his apparently ideal life style. Mr. Steiner, however, kills his own children and then commits suicide. Marcello\u2019s old father comes to see him and gets ill, Emma abandons him, and other events follow one another. After another orgy occurring during the night, at dawn the tired and dazed participants find the carcass of a sea monster stranded on the beach.<\/p>\n

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Crew<\/strong><\/p>\n

Director: Federico Fellini
\nStory: Federico Fellini, Tullio Pinelli, Ennio Flaiano (da un’idea di Federico Fellini)
\nScreenplay: Federico Fellini, Ennio Flaiano, Tullio Pinelli
\nScreenplay collaboration: Brunello Rondi
\nCinematography: Otello Martelli (Totalscope)
\nCamera operator: Arturo Zavattini
\nAssistant camera: Ennio Guarnieri
\nMusic: Nino Rota
\nMusical director: Franco Ferrara
\nSingers: I “Campanino” e Adriano Celentano
\nProduction design: Piero Gherardi
\nCostume design: Piero Gherardi
\nAssistant production designer: Giorgio Giovannini, Lucia Mirisola, Vito Anzalone
\nMakeup artist: Otello Fava
\nFilm editing: Leo Catozzo
\nAssistant editor: Adriana Olasio, Wanda Olasio
\nFirst assistant director: Guidarino Guidi, Paolo Nuzzi, Dominique Delouche
\nSecond assistant director: Giancarlo Romani, Gianfranco Mingozzi, Lilli Veenman
\nArtistic advisor: Brunello Rondi
\nSound: Agostino Moretti
\nHair Stylist: Renata Magnanti
\nProducer: Giuseppe Amato, Angelo Rizzoli
\nGeneral manager: Clemente Fracassi
\nExecutive producer: Franco Magli
\nScript supervisor: Isa Mari
\nProduction manager: Manlio M. Moretti, Nello Meniconi
\nProduction supervisor: Alessandro von Normann
\nProduction secretary: Mario Basile, Mario De Biase, Osvaldo De Micheli<\/p>\n

Cast<\/strong><\/p>\n

Marcello Mastroianni : Marcello Rubini
\nWalter Santesso : paparazzo
\nGiulio Paradisi : 2\u00b0 fotografo
\nEnzo Cerusico : 3\u00b0 fotografo
\nEnzo Doria : 4\u00b0 fotografo
\nAnouk Aim\u00e9e : Maddalena
\nCesare Miceli Picardi : signore irritato nel dancing
\nDonatella Esparmer : signora con signore irritato
\nMaria Pia Serafini : 2\u00b0 signora con signore irritato
\nAdriana Moneta : prostituta
\nAnna Maria Salerno : 2\u00b0 prostituta
\nOscar Ghiglia : 1\u00b0 sfruttatore
\nGino Marturano : 2\u00b0 sfruttatore
\nYvonne Fourneaux : Emma
\nThomas Torres : giornalista ospedale
\nCarlo Mariotti : infermiere
\nLeonardo Botta : medico
\nAnita Ekberg : Sylvia
\nCarlo Di Maggio : Tot\u00f2 Scalise produttore
\nFrancesco Luzi : il radiocronista
\nFrancesco Consalvo : assistente di Scalise
\nGuglielmo Leoncini : il segretario di Scalise
\nSandy von Norman : interprete conferenza stampa
\nLex Barker : Robert
\nTiziano Cortini : operatore cinegiornale
\nMaurizio Guelfi : giornalista conferenza stampa
\nAdriano Celentano : cantante rock’n’roll
\nGondrano Trucchi : cameriere Caracallas
\nGi\u00f2 Staiano : giovane effeminato
\nArchie Savage : ballerino negro
\nAlan Dijon : Frankie Stout
\nPaolo Labia : cameriere casa Maddalena
\nGiacomo Gabrielli : il padre di Maddalena
\nAlain Cuny : Steiner
\nValeria Ciangottini : Paola
\nAlfredo Rizzo : regista TV
\nAlex Messoyedoff : il prete del miracolo
\nRina Franchetti : la madre dei miracolati bugiardi
\nAurelio Nardi : lo zio dei miracolati bugiardi
\nMarianna Leibl : madre che chiede il miracolo
\nGiovanna : bambino miracolato
\nMassimo : bambino miracolato
\nRene\u00e9 Longarini : la signora Steiner
\nIris Tree : invitata casa Steiner
\nLeonida Rapaci : invitato casa Steiner
\nAnna Salvatore : invitata casa Steiner
\nLetizia Spadini : invitata casa Steiner
\nMargherita Russo : invitata casa Steiner
\nWinie Vagliani : invitata casa Steiner
\nDesmond O’Grady : invitato casa Steiner
\nNello Meniconi : litigante via Veneto
\nMassimo Busetti : pettegolo via Veneto
\nAnnibale Ninchi : il padre di Marcello
\nVittorio Manfrino : direttore tabarin
\nPolidor : clown tabarin
\nMagali No\u00ebl : Fanny
\nLilly Granado : Lucy
\nGloria Jones : Gloria
\nNico Otzak : ragazza sofisticata via Veneto
\nPrincipe Vadim Wolkonsky : Principe Mascalchi
\nGiulio Questi : Don Giulio Mascalchi
\nIda Galli : la debuttante dell’anno
\nMario De Grenet : il ragazzo stanco con i cani
\nFranco Rossellini : il bel cavallerizzo
\nMaria Marigliano : Massimilla
\nLoretta Ramaciotti : l’invasata alla seduta
\nGiuseppe Addobbati : dottore
\nPaolo Fadda : vice commissario
\nVando Tres : commissario di zona
\nFranco Giacobini : giornalista che telefona
\nGiuliana Lojodice : cameriera casa Steiner
\nFederika Andr\u00e9 : inquilina casa Steiner
\nGiancarlo Romani : carabiniere
\nNadia Gray : Nadia
\nMino Doro : amante di Nadia
\nAntonio Jaconi : “travesti”
\nCarlo Musto : “2\u00b0 travesti”
\nTito Buzzo : il bruto muscoloso
\nSandra Lee : la ballerina di Spoleto
\nJacques Sernas : il divo
\nLeontine von Strein : l’amante divo
\nLeo Coleman : il ballerino negro
\nLaura Betti : l’attrice-cantante bionda, Laura
\nDaniela Calvino : Daniela
\nChristine Denise : la signora che mangia il pollo
\nRiccardo Garrone : Riccardo il padrone di casa
\nDecimo Cristiani : spettatore dello spogliarello
\nUmberto Orsini : spettatore dello spogliarello di Nadia
\nSandra Tesi : spettatrice dello spogliarello di Nadia
\nRenato Mambor : ballerino
\nMario Conocchia : spettatore dello spogliarello di Nadia
\nEnrico Glori : ammiratore di Nadia
\nLucia Vasilic\u00f2 : ragazza che si confessa
\nFranca Pasutt : ragazza coperta di piume<\/p>\n

Awards<\/strong><\/p>\n

1960
\nNastro d’argento per miglior attore
\n1960
\nNastro d’argento per miglior soggetto originale
\n1960
\nNastro d’argento per miglior scenografia
\n1960
\nDavid di Donatello per miglior regia
\n1961
\nFestival de Cannes: Palma d’oro per miglior film
\nNomination Oscar per miglior regia
\nNomination Oscar per miglior soggetto e sceneggiatura originali
\nNomination BAFTA (British Academy of Film and Television Arts Awards) per il miglior film<\/p>\n

Peculiarites<\/strong><\/p>\n

\u201cI had decided that Nadia\u2019s character would wear white bra and panties under her dark dress. I thought that contrast would be sensational and very sexy, but Nancy Gray, the actress, refused. She said no fashion-oriented woman would have ever worn white bra and panties under a dark dress, as you would catch a glimpse of them beneath the dress. Plus, she wouldn\u2019t feel at ease taking a dark dress off and showing white underwear. She told me she couldn\u2019t do it, as this absolutely didn\u2019t suit her character. She was so convincing I believed her, and we accepted black bra and panties\u201d.
\n(Charlotte Chandler, Io, Federico Fellini, Mondadori, Milano, 1995, pp. 160-161)<\/p>\n

Reviews<\/strong><\/p>\n

“Cruel analyses, shared feelings and vision are encompassed and mixed up in this terrible and fascinating polyptych on a modern Babylon. […] The fact that he voices his opinions and condemnations while being deeply sympathetic with his characters \u2013 including the shabbiest – and puts himself in their shoes thus discovering their underlying reasons, is an evidence of this film\u2019s high level of vitality, force and mercy”.
\n(Morando Morandini, “Schermi”, a. III, n. 20, gennaio-febbraio 1960)<\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":805,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20,22],"tags":[],"class_list":["post-1115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fellini-en","category-filmography"],"acf":[],"yoast_head":"\nLa dolce vita - Fellini Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fellinimuseum.it\/en\/la-dolce-vita\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La dolce vita - Fellini Museum\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fellinimuseum.it\/en\/la-dolce-vita\/\" \/>\n<meta property=\"og:site_name\" content=\"Fellini Museum\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/FelliniMuseum\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-04-13T03:06:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-17T12:36:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fellinimuseum.it\/wp-content\/uploads\/2022\/04\/LA-DOLCE-VITA_0.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"240\" \/>\n\t<meta property=\"og:image:height\" content=\"324\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin_fellini\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin_fellini\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/la-dolce-vita\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/la-dolce-vita\\\/\"},\"author\":{\"name\":\"admin_fellini\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#\\\/schema\\\/person\\\/e8ca3cfdf9c4fd85c306a591beda6eae\"},\"headline\":\"La dolce vita\",\"datePublished\":\"2022-04-13T03:06:50+00:00\",\"dateModified\":\"2024-04-17T12:36:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/la-dolce-vita\\\/\"},\"wordCount\":3,\"publisher\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/la-dolce-vita\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/fellinimuseum.it\\\/wp-content\\\/uploads\\\/2022\\\/04\\\/LA-DOLCE-VITA_0.jpeg\",\"articleSection\":[\"Fellini\",\"Filmography\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/la-dolce-vita\\\/\",\"url\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/la-dolce-vita\\\/\",\"name\":\"La dolce vita - 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