{"id":1118,"date":"2022-04-13T05:03:38","date_gmt":"2022-04-13T03:03:38","guid":{"rendered":"https:\/\/museofellini.studiovisuale.it\/2022\/04\/13\/amore-in-citta\/"},"modified":"2023-11-06T09:23:01","modified_gmt":"2023-11-06T08:23:01","slug":"amore-in-citta","status":"publish","type":"post","link":"https:\/\/fellinimuseum.it\/en\/amore-in-citta\/","title":{"rendered":"Amore in citt\u00e0 (episodio \u201cAgenzia matrimoniale\u201d)"},"content":{"rendered":"
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Amore in citt\u00e0 (episodio \u201cAgenzia matrimoniale\u201d)<\/h1>\n
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Year: 1953<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Format: Black and white<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Runtime: 16 min<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Production: Faro Film<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Word sales: D.C.N.<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Viewed censorship: 15341 13\/11\/1953<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

The other film episodes are: L\u2019amore che si paga by Carlo Lizzani, Paradiso per quattro ore by Dino Risi, Tentato Suicidio by Michelangelo Antonioni, Storia di Caterina by Francesco Maselli and Cesare Zavattini, Gli italiani si voltano by Alberto Lattuada.
\nA young journalist is carrying out a survey on marriage agencies. Being sceptical, he pretends to be a customer who is searching for a wife for a rich friend of him. Although he says that his friend suffers from epilepsy, lives in the countryside and he turns into a werewolf during full moon nights, he manages to find a girl willing to marry his friend. She is a sweet and naive girl, who undermines the protagonist\u2019s cynic approach.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n

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Crew<\/p>\n

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Director:<\/span>\u00a0Federico Fellini<\/span><\/div>\n
Story:<\/span>\u00a0Federico Fellini<\/span><\/div>\n
Screenplay:<\/span>\u00a0Federico Fellini, Tullio Pinelli<\/span><\/div>\n
Cinematography:<\/span>\u00a0Gianni Di Venanzo<\/span><\/div>\n
Music:<\/span>\u00a0Mario Nascimbene<\/p>\n

Cast<\/p>\n

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Antonio Cifariello<\/span>\u00a0: Giornalista<\/span><\/div>\n
Livia Venturini<\/span>\u00a0: Rossana<\/span><\/div>\n
Ilario Maraschini<\/span>\u00a0: proprietario dell’agenzia<\/span><\/div>\n
Angela Pierro<\/span>\u00a0: direttrice dell’agenzia<\/p>\n

Peculiarites<\/p>\n

<\/strong><\/span>“While Maselli and Zavattini made an attempt at describing a real fact, and other film-makers shot a documentary film, Fellini chose the \u2018true-fake\u2019 story. Fellini has never shared Zavattini\u2019s theories on true cinema, as he is convinced everything must be invented. Some people said that Fellini had made a survey at Omega Marriage Agency, and had been assigned the acronym \u201cC. L. 35\u201d. According to others, he had told Zavattini a lie just to make him happy, or to mock the strong advocate of Neorealism. It is most likely that nothing in the Agenzia matrimoniale episode – written with Pinelli – was \u2018taken from life\u2019, as Zavattini said. The protagonists are in fact two young professional actors. Antonio Ciffariello (who lends his name and surname to the character of the journalist in an imaginary game of truth) has already performed in some movies and he has started a promising career as an actor. He\u2019d become a popular faces of \u2018pink Neorealism\u2019 (\u2026). The role of the girl, Rossana, is played by Livia Venturini, actress and dubber, who\u2019d also perform in La strada (as a nun) and other movies”.<\/p>\n

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(Tullio Kezich, Fellini, Milan, Camunia, 1987, pp. 210-211)<\/p>\n

Reviews<\/p>\n

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Of the two \u2018tales\u2019 directed by Federico Fellini, Agenzia matrimoniale is the happiest one. It is brisk and witty in the beginning, and then gradually becomes more pathetic, as in description of the clumsy country girl who\u2019s willing to marry a werewolf as she really wants to \u2018get married\u2019. This tales summarizes the bitterness and miseries underlying a \u2018marriage agency\u2019\u2019 sign. The director actually reaches the goals he had set himself thanks his tact and his attentive observations of the story background and the relevant psychological traits. The outcome is better here than George Cukor\u2018s Mariti su misura.<\/div>\n<\/div>\n<\/div>\n
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(Giulio Cesare Castello \u201cCinema\u201d [nuova serie], a. VI, n. 123, 15 December 1953)<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":793,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20,22],"tags":[],"class_list":["post-1118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fellini-en","category-filmography"],"acf":[],"yoast_head":"\nAmore in citt\u00e0 (episodio \u201cAgenzia matrimoniale\u201d) - Fellini Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fellinimuseum.it\/en\/amore-in-citta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amore in citt\u00e0 (episodio \u201cAgenzia matrimoniale\u201d) - 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