{"id":1122,"date":"2022-04-05T05:14:27","date_gmt":"2022-04-05T03:14:27","guid":{"rendered":"https:\/\/museofellini.studiovisuale.it\/2022\/04\/05\/giulietta-degli-spiriti\/"},"modified":"2023-03-16T11:13:11","modified_gmt":"2023-03-16T10:13:11","slug":"giulietta-degli-spiriti","status":"publish","type":"post","link":"https:\/\/fellinimuseum.it\/en\/giulietta-degli-spiriti\/","title":{"rendered":"Giulietta degli spiriti"},"content":{"rendered":"
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Giulietta degli spiriti<\/h1>\n
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Year: 1965
\nFormat: Colour
\nRuntime: 120 min
\nProduction: Federiz (Roma), Francoriz (Paris)
\nWord sales: Cineriz
\nViewed censorship: 4573323\/09\/1965\n<\/p><\/div>\n

Giulietta is a wealthy middle-class housewife living in Fregene (near Rome), who constantly fears her husband Giorgio is cheating on her. While she yearns for a peaceful intimate evening with him on the night of their 15th wedding anniversary, the egotistical Giorgio has forgotten about it and instead arrives home with his eccentric friends. They organize a s\u00e9ance, and Giulietta is haunted and offended by erotic and vulgar ghosts. She is obsessed with their statements and fears Giorgio\u2019s infidelity. She meets her neighbor Suzy, who invites her to her villa, and she talks freely to her, as she now has the evidence of her husband\u2019s infidelity. She feels guilty and leaves, bewildered. Thanks to a psychoanalyst, Juliet manage to fight against her ghosts and temptations. At the end \u2013 triumphant and wearing a white dress – she goes towards the strong wind blowing from the sea.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n

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Crew<\/strong><\/p>\n

Director: Federico Fellini
\nStory: Federico Fellini, Tullio Pinelli, da un’idea di Federico Fellini
\nScreenplay: Federico Fellini, Tullio Pinelli, Ennio Flaiano, Brunello Rondi
\nCinematography: Gianni Di Venanzo (Technicolor)
\nCamera operator: Pasquale De Santis
\nMusic: Nino Rota
\nMusical director: Carlo Savina
\nProduction design: Piero Gherardi
\nCostume design: Piero Gherardi
\nAssistant production designer: Luciano Riccieri, E. Benazzi Taglietti, Giantito Burchiellaro
\nWardrobe assistant: Bruna Parmesan, Alda Marussig
\nFilm editing: Ruggero Mastroianni
\nSet decorator: Vito Anzalone
\nFirst assistant director: Francesco Aluigi, Liliana Berti, Rosalba Zavoli
\nSound: Mario Faraoni, Mario Morici
\nScript supervisor: Eschilo Tarquini
\nMakeup artist: Otello Fava, Eligio Trani
\nHair Stylist: Renata Magnanti, Marisa Fraticelli
\nAssistant editor: Adriana Olasio
\nProducer: Angelo Rizzoli
\nProduction manager: Mario Basili, Alessandro von Norman
\nGeneral manager: Clemente Fracassi
\nProduction supervisor: Walter Benelli
\nProduction secretary: Renato Fi\u00e9, Ennio Onorati<\/p>\n

Cast<\/strong><\/p>\n

Giulietta Masina : Giulietta Boldrini
\nMario Pisu : Giorgio suo marito
\nSandra Milo : Susy, Iris, Fanny
\nValentina Cortese : Valentina
\nCaterina Boratto : la madre di Giulietta
\nLou Gilbert : il nonno di Giulietta
\nSylva Koscina : Sylva sorella di Giulietta
\nLuisa della Noce : Adele altra sorella di Giulietta
\nJos\u00e8 De Vilallonga : Jos\u00e8 il cavaliere romantico
\nValeska Gert : Nhishma la veggente
\nSilvana Jachino : Dolores
\nFred Williams : principe arabo
\nMilena Vukotic : domestica di Giulietta
\nGenius : Genius il medium pederasta
\nDany Paris : l’amica disperata di Susy
\nAlberto Plebani : il detective privato
\nYvonne Casadei : cameriera della corte di Susy
\nMario Canocchia : l’avvocato di famiglia
\nCesarino Miceli Picardi : amico di Giorgio
\nFelice Fulchignoni : Dott. Raffaele
\nLia Pistis : amica della spiaggia
\nAlba Cancellieri : Giulietta bambina<\/p>\n

Awards<\/strong><\/p>\n

1965
\nSilver Ribbon for Best Supporting Actress
\n1965-1966
\nSilver Ribbon for Best Cinematography, Color
\nSilver Ribbon for Best Production Design
\nSilver Ribbon for Best Costumes Design
\nDonatello David Award, Best Actor<\/p>\n

Reviews<\/strong><\/p>\n

“Paradoxically, it could be argued that Giulietta degli spiriti is a film to be \u2018skimmed through\u2019 rather than watched; the best way to enjoy it would be to cut it in to a thousand shots, and then examine them, one by one, as you do with an album […] You may suspect that Fellini was affected and constrained by colours as well as by Juliet”.
\n(Morando Morandini, \u201cL\u2019Osservatore Politico Letterario\u201d, Milano, 12 December 1965)<\/p>\n

“An almost plain story is turned into a phantasmagoric set of shapes, colours, characters\u2019 thoughts, memories, dreams and Fellini\u2019s dreams. It is a further display of his baroque imagination, his own use of colours and the ensuing amazing effects”.
\n(Leo Pestelli, \u201cLa Stampa\u201d, 29 October 1965)<\/p>\n

“The main elements of this film are: a hectic camera, relentless images combined with a unique domain of light, and colours. A cinema master directed this film. I don\u2019t only have Otto e mezzo in my mind, but also Citizen Kane by Welles and Marienbad by Resnais, that this film is very close to. Fellini moves freely in time and space, imagination and memory”.
\n(Gordon Gow, \u201cFilms and Filming\u201d, april 1966)<\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":738,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20,22],"tags":[],"class_list":["post-1122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fellini-en","category-filmography"],"acf":[],"yoast_head":"\nGiulietta degli spiriti - Fellini Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fellinimuseum.it\/en\/giulietta-degli-spiriti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Giulietta degli spiriti - 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