{"id":4189,"date":"2023-01-15T12:50:51","date_gmt":"2023-01-15T11:50:51","guid":{"rendered":"https:\/\/museofellini.studiovisuale.it\/la-voce-della-luna\/"},"modified":"2023-11-07T11:54:31","modified_gmt":"2023-11-07T10:54:31","slug":"la-voce-della-luna","status":"publish","type":"post","link":"https:\/\/fellinimuseum.it\/en\/la-voce-della-luna\/","title":{"rendered":"La voce della luna"},"content":{"rendered":"
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La voce della luna<\/h1>\n
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Year: 1990
\nFormat: Colour
\nRuntime: 118 min
\nProduction: Mario e Vittorio Cecchi Gori, per la C.G. Group Tiger Cinematografica e la Cinemax, con la collaborazione della Rai-Radiotelevisione italiana. Teatri di posa: Stabilimenti Cinematografici Pontini SpA
\nWord sales: Penta Distribuzione
\nViewed censorship: 8539301\/02\/1990<\/p>\n

Hinting at the lunar-obsessed lyrics of Italian poet Giacomo Leopardi, the tale focuses on Micheluzzi Brothers capturing the moon while Ivo – who\u2019s just been dismissed from a mental hospital – tries to seduce Aldina Ferruzzi, the woman he\u2019s in love with. Although she is not interested in him, Ivo equates her blond beauty with that of the moon, and thinks all his mental problems and frustrations are due to this. Meanwhile, the three madmen have caught the moon using gigantic farming equipment, and fastened it inside a stable using a rope. What ought to be a sacred event gives instead rise to a lot of confusion, and priests and politicians turn it into a political rally. The latter rapidly degenerates into violence, as a madman shoots the TV set, which bursts. Now Ivo is alone, and listens to the moon.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n

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Crew<\/strong><\/p>\n

Director: Federico Fellini
\nStory: liberamente ispirato al romanzo “Il poema dei lunatici” di Ermanno Cavazzoni
\nScreenplay: Federico Fellini
\nScreenplay collaboration: Tullio Pinelli, Ermanno Cavazzoni
\nCinematography: Tonino Delli Colli (Technicolor)
\nColour processor: Carlo La Bella
\nMusic: Nicola Piovani
\nProduction design: Dante Ferretti
\nCostume design: Maurizio Millenotti
\nWardrobe assistant: Alfonsina Lettieri, Carlo Poggioli
\nFilm editing: Nino Baragli
\nFirst assistant director: Gianni Arduini
\nSecond assistant director: Daniela Barbiani, Marco Polimeni
\nCamera operator: Marco Spelduti
\nAssistant camera: Massimo Intoppa, Roberto De Franceschi
\nArchitecht: Massimo Razzi, Nazzareno Piana
\nSet decorator: Francesco Lo Schiavo
\nChoreography: Mirella Agujaro
\nSound: Tommaso Quattrini
\nEdition: Lillo Capuano
\nExecutive producer: Bruno Altissimi, Claudio Saraceni
\nProduction manager: Roberto Mannoni
\nGeneral manager: Pietro Notarianni, Maurizio Pastrovich
\nProduction supervisor: Piero Spadoni, Nicola Mastrolilli<\/p>\n

Cast<\/strong><\/p>\n

Roberto Benigni : Ivo Salvini
\nPaolo Villaggio : il prefetto Gonnella
\nNadia Ottaviani : Aldina Ferruzzi
\nMarisa Tomasi : Marisa la vaporiera
\nSim : l’oboista
\nSyusy Blady : la sorella di Aldina
\nAngelo Orlando : Nestore
\nDario Ghirardi : il giornalista
\nDominique Chevalier : il primo fratello Micheluzzi
\nNigel Harris : Giuanin il secondo fratello Micheluzzi
\nVito : terzo fratello Micheluzzi
\nEraldo Turra : l’avvocato
\nGiordano Falzoni : il professore
\nFerruccio Brembilla : il medico
\nGiovanni Javarone : il becchino
\nLorose Keller : la duchessa
\nPatrizio Roversi : il figlio del prefetto Gonnella
\nUta Schmidt : la nonna
\nStefano Antonucci<\/p>\n

Awards<\/strong><\/p>\n

1991
\nSilver Ribbon Best Score Also for In nome del popolo sovrano (1994), Il male oscuro (1990) and Il sole anche di notte (1990)
\n1989-1990
\nDavid Best Actor
\nDavid Best Production Design
\nDavid Best Editing<\/p>\n

Peculiarites<\/strong><\/p>\n

\u201cWhile I was playing with a little bit of earth, just some grains, and I passed them from one hand to the other as if my hands were a funnel, and I uttered a sound: \u2018whuu\u2019. I was a quiet child, and I easily enjoyed myself. At a given point, while I was playing, I felt a light wind blowing through my hair. Then I understood- but it\u2019s hard to describe this feeling \u2013 I was firmly planted on the ground, and I had the impression my small legs were my roots. Dense and hot blood was being pumped inside my whole body. Blood was coming up to my head, and I heard the same sound (\u2018whuu\u2019) I had uttered while I was playing. I felt exhilarated, light and powerful (powerful in the lower part, and light in the upper part of my body): I had been turned into a poplar! In La voce della luna I asked Benigni to tell us this story.\u201d
\n(Federico Fellini, Imago. Appunti di un visionario, conversazione-intervista a cura di Toni Maraini, Semar, Roma, 1994, pp. 29-30)<\/p>\n

Reviews<\/strong><\/p>\n

“Despite the calm melancholy of the film\u2019s end and the need for silence (a sentence in which the lunar hero is Fellini\u2019s spokesman), in my opinion La voce della luna is Fellini\u2019s saddest film. This holds true not only because of its death-related themes (echoing Mastorna\u2019s works that Fellini had studied for decades), but also because of madness (reference is made to \u2018Le donne libere di Magliano\u2019 by Tobino \u2013 a film he did not want to make or didn\u2019t succeed in making), old age, loneliness, dismay. In La voce della luna Fellini also makes some sad comments on the vulgar and terrible period he is living in. The shots of \u201cGnocchi\u201d (Dumplings\u2019) Day and Miss Flour election are very eloquent. La voce della luna is a fairy tale fighting against background noise”.
\n(Morando Morandini, \u201cIl Giorno\u201d, 1 February 1990)<\/p>\n

“Fellini\u2019s very bitter fairy tale is based on an archetypal \u2018village\u2019 that is characterized both by unknown sweet traits and by the decay caused by prevailing consumerist attitudes. In a such a universe, only innocent Saturninus\u2019 creativity can possibly lead to rediscovering man\u2019s kindness, sincere and passionate love, and the \u2018happy madmen\u2019\u2019 poetry. Other pure and simple characters are Salvini \u2013 who\u2019s madly in love with foolish Aldina – and Gonnella who, after being denied any \u2018power\u2019, refuseseverything and everyone. Fellini is a great master and this film – despite all his surreal jokes and paradoxes – is still very tragic”.
\n(Sauro Borelli, \u201cL\u2019Unit\u00e0\u201d, 2 February 1990)<\/p>\n

“La voce della luna is one of Federico Fellini\u2019s most fascinating and poetic adventures, based on smiles and jokes, and a disillusioned, heartbreaking and worrying vision of the world we live in. Through legends, fairy tales and oddities, Fellini presents his endless universe of symbols, memories, inventions; without ever repeating himself, he hints at all his films. In this last masterpiece, however, Fellini filters every stylistic element, and proposes other original elements, thus unveiling his amazing imagination. We find a a kaleidoscope of characters in a story that is made up of bitter, sweet and merciless traits, humor and melancholy, exuberance and elegance, psychological dreams and a great variety of themes. La voce della luna is a magic, hilarious, surreal and grotesque fairytale. It describes today\u2019s myths and rites (television, fast-food, discos\u2026). It hints at yesterday\u2019s dreams (\u2018Bassa Padana\u2019 or lower Po river area, the friendly attitude of Emilia-Romagna region\u2019s inhabitants, country fairs, the Gnocchi (dumplings)\u2019 Day, Miss Flour, jokes \u2026 ). If you consider Amarcord as the village of memory, than you can say that La voce della luna gives us a shelter in our contemporary world”.
\n(Vittorio Spiga, \u201cLa Nazione\u201d, 1 February 1990)<\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":1875,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20,22],"tags":[31],"class_list":["post-4189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fellini-en","category-filmography","tag-display-en"],"acf":[],"yoast_head":"\nLa voce della luna - Fellini Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fellinimuseum.it\/en\/la-voce-della-luna\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La voce della luna - 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