{"id":4204,"date":"2022-07-28T16:19:02","date_gmt":"2022-07-28T14:19:02","guid":{"rendered":"https:\/\/museofellini.studiovisuale.it\/tre-passi-nel-delirio\/"},"modified":"2024-04-17T14:35:57","modified_gmt":"2024-04-17T12:35:57","slug":"tre-passi-nel-delirio","status":"publish","type":"post","link":"https:\/\/fellinimuseum.it\/en\/tre-passi-nel-delirio\/","title":{"rendered":"Toby Dammit"},"content":{"rendered":"
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Toby Dammit<\/h1>\n
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Year: 1968
\nFormat: Colour
\nRuntime: 37 min
\nProduction: P.E.A. (Roma), Les Films Marceau (Paris), Cocinor (Paris)
\nWord sales: P.E.A. (Roma)
\nViewed censorship: 5205124\/07\/1968<\/p>\n

Toby Dammit, a former Shakespearean actor, and a drug-addict and an alcoholic at present, is in Rome. He\u2019s going to be the main character of the first Catholic western film. After helping a young girl who has lost the ball she was playing with, Dammit starts having visions of the girl and her ball. After being given a Ferrari by the film producer Dammit drives his new car very fast. Some workers try to stop Dammit close to a fallen bridge across a ravine, but he speeds ahead. When his car reaches the other side, Dammit’s head has been cut off by a cable running across the ravine. The young girl appears again, she picks Toby Dammit\u2019s head up, as if it were a ball \u2026<\/p>\n

poster – courtesy of \u00a9 Webphoto & Services<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n

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Crew<\/strong><\/p>\n

Director: Federico Fellini
\nStory: libera riduzione dal racconto “Non scommettere la testa con il diavolo” di Edgard Allan Poe
\nScreenplay: Federico Fellini, Bernardino Zapponi
\nCinematography: Giuseppe Rotunno (Technicolor-Eastmancolor)
\nMusic: Nino Rota
\nProduction design: Pietro Tosi
\nCostume design: Pietro Tosi
\nFilm editing: Ruggero Mastroianni
\nCamera operator: Giuseppe Maccari
\nSpecial effects: Joseph Natanzon
\nSongs: “Ruby” di Mitchell Parish (parole) e Heinz Roemheld (musica)
\nSingers: Ray Charles
\nSet decorator: Carlo Leva
\nSecond assistant director: Eschilo Tarquini, Francesco Aluigi, Liliana Betti
\nAssistant editor: Adriana Olasio, Wanda Olasio
\nProduction manager: Tommaso Sagone
\nGeneral manager: Enzo Provenzale
\nProducer: Alberto Grimaldi, Raymond Eger<\/p>\n

Cast<\/strong><\/p>\n

Terence Stamp : Toby Dammit
\nSalvo Randone : Padre Spagna
\nAntonia Pietrosi : l’attrice
\nPolidor : un vecchio attore
\nAnne Tonietti : commentatrice televisiva
\nFabrizio Angeli : primo regista
\nErnesto Colli : il secondo regista
\nAleardo Ward : primo intervistatore
\nPaul Cooper : il secondo intervistatore
\nMarisa Traversi : partecipanti alla festa
\nRick Boyd : partecipanti alla festa
\nMimmo Poli : partecipanti alla festa
\nMarina Yaru : la bambina
\nBrigitte : la ragazza alta due metri<\/p>\n

Reviews<\/strong><\/p>\n

“Toby Dammit\u2019s story is quite weak. It is characterized by memories, nostalgia, Fellini\u2019s beloved mirages, unreal actresses, and a weak Polidor. This film is focused on technique and how to go beyond them. Otto e mezzo\u2019s fogs and Giulietta\u2019s colours are replaced by lights problems. Rotunno solves them all: projectors, light bulbs, car headlights. Techniques, set decoration and lighting prevail. There is a formal showing-off and a technical virtuosity that are sometimes an end in themselves”.
\n(Mario Verdone, \u201cBianco e Nero\u201d, a. XXIX, n. 11-12, November-December 1968)<\/p>\n

“Fellini views reality through his characters\u2019 eyes: he is alternatively a priest, a Catholic writer, a cruel reporter (when he mocks Tot\u00f2), a blind comedian with a huge blond and eccentric actress. Fellini-Poe\u2019s Rome welcomes all these elements as if they were surrounded by smoke or taken from a nightmare (\u2026)”.
\n(Edoardo Bruno, \u201cFilmcritica\u201d, a. XIX, n. 193, December 1968)<\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":3214,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20,22],"tags":[],"class_list":["post-4204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fellini-en","category-filmography"],"acf":[],"yoast_head":"\nToby Dammit - Fellini Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fellinimuseum.it\/en\/tre-passi-nel-delirio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Toby Dammit - Fellini Museum\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fellinimuseum.it\/en\/tre-passi-nel-delirio\/\" \/>\n<meta property=\"og:site_name\" content=\"Fellini Museum\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/FelliniMuseum\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-07-28T14:19:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-17T12:35:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fellinimuseum.it\/wp-content\/uploads\/2023\/03\/s-l1600-2-739x1024-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"739\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ernesta.ricciotti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"ernesta.ricciotti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/tre-passi-nel-delirio\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/tre-passi-nel-delirio\\\/\"},\"author\":{\"name\":\"ernesta.ricciotti\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#\\\/schema\\\/person\\\/a2242aee3feb923c07152d9cd27fa150\"},\"headline\":\"Toby Dammit\",\"datePublished\":\"2022-07-28T14:19:02+00:00\",\"dateModified\":\"2024-04-17T12:35:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/tre-passi-nel-delirio\\\/\"},\"wordCount\":2,\"publisher\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/tre-passi-nel-delirio\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/fellinimuseum.it\\\/wp-content\\\/uploads\\\/2023\\\/03\\\/s-l1600-2-739x1024-1.jpg\",\"articleSection\":[\"Fellini\",\"Filmography\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/tre-passi-nel-delirio\\\/\",\"url\":\"https:\\\/\\\/fellinimuseum.it\\\/en\\\/tre-passi-nel-delirio\\\/\",\"name\":\"Toby Dammit - 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