{"id":4209,"date":"2022-07-28T16:44:28","date_gmt":"2022-07-28T14:44:28","guid":{"rendered":"https:\/\/museofellini.studiovisuale.it\/block-notes-di-un-regista\/"},"modified":"2023-11-07T12:40:59","modified_gmt":"2023-11-07T11:40:59","slug":"block-notes-di-un-regista","status":"publish","type":"post","link":"https:\/\/fellinimuseum.it\/en\/block-notes-di-un-regista\/","title":{"rendered":"Block-notes di un regista"},"content":{"rendered":"<div id=\"block-card-film-block_c4d85f92222e9a023c4d9afef4ef4cb6\" class=\"block-card-film-museum\">\n    <div class=\"row padding-bottom-5 padding-top-5\">\n        <div class=\"col-12\">\n\n            <div class=\"row\">\n                <div class=\"col-12 col-md-5 col-lg-4 col-xxl-3 p-md-0\">\n                    <a class=\"o-btn-back pt-5 pt-lg-0 pb-3 pb-lg-5 fontDim2\" href=\"https:\/\/fellinimuseum.it\/en\/fellini\/\">\n                        <span>\n                                                        Back to Fellini\n                                                \n                    <\/span>\n                    <\/a>\n                    <div class=\"content-image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"189\" height=\"267\" src=\"https:\/\/fellinimuseum.it\/wp-content\/uploads\/2023\/10\/block-notes.jpg\" class=\"attachment-large size-large\" alt=\"\" \/>                    <\/div>\n                <\/div>\n                <div class=\"col-12 col-md-7 col-lg-8 col-xxl-9\">\n                                            <h1 class=\"fontDim4 fontLight padding-top-2 padding-bottom-2\">Block-notes di un regista &#8211; Fellini: A Director&#8217;s Notebook<\/h1>\n                                                                <div class=\"fontDim2 padding-top-2 padding-bottom-2\">\n                            <p>Year: 1969<br \/>\nFormat: Colour<br \/>\nRuntime: 60 min<br \/>\nProduction: N.B.C.<br \/>\nViewed censorship: non richiesto<\/p>\n<p>It is a fake documentary following Fellini along the remains of Il viaggio di G. Mastorna\u2019s set and then on his inspections to find relics of ancient times and during Satyricon auditions.<\/p>\n                        <\/div>\n                                    <\/div>\n            <\/div>\n        <\/div>\n\n    <\/div>\n<\/div>\n\n<div id=\"block-gallery-vertical-textblock_7370ad04b3e68e1de7b036c216e567c7\" class=\"block-gallery-vertical-text-museum pt-5 pb-5\">\r\n    <div class=\"row\">\r\n        <div class=\"col-12\">\r\n            <div class=\"row\">\r\n                <div class=\"col-12 col-md-5 col-lg-4 col-xxl-3 p-md-0 order-2 order-md-1\">\r\n                    \r\n                <\/div>\r\n                <div class=\"col-12 col-md-7 col-lg-8 col-xxl-9 order-1 order-md-2\">\r\n                                            <div class=\"fontDim2 padding-top-2 padding-bottom-2\">\r\n                            <p><strong>Crew<\/strong><\/p>\n<p>Director: Federico Fellini<br \/>\nScreenplay: Federico Fellini, Bernardino Zapponi<br \/>\nCinematography: Pasquale De Santis<br \/>\nMusic: Nino Rota<br \/>\nFilm editing: Ruggero Mastroianni<br \/>\nAssistant editor: Adriana Olasio<br \/>\nProducer: Peter Goldfarb<br \/>\nGeneral manager: Lamberto Pippia<br \/>\nScript supervisor: Norma Giacchero<br \/>\nFirst assistant director: Maurizio Mein, Liliana Betti<br \/>\nSeries unit manager: Joseph Nash<br \/>\nDialogue director: Christopher Cruise<br \/>\nEnglish dialogues: Eug\u00e8ne Walter<\/p>\n<p><strong>Cast<\/strong><\/p>\n<p>Federico Fellini<br \/>\nGiulietta Masina<br \/>\nMarcello Mastroianni<br \/>\nCaterina Boratto<br \/>\nMarina Boratto<br \/>\nDavid Maumsell<br \/>\nprof. Genius<br \/>\nCesarino<br \/>\nBernardino Zapponi<br \/>\nLina Alberti<\/p>\n<p><strong>Peculiarites<\/strong><\/p>\n<p>&#8220;Fellini always liked small and unimportant things. That short film had to become a creative piece of evidence of the passage from \u201cMastorna\u201d to the following \u201cSatyricon\u201d. It was meant as a series of notes, small talk, notes, just a &#8220;cacatina&#8221; (niece piece of shit), as Federico called it. The screenplay was promptly written. The beginning of the film would show the impressive remains of \u201cMastorna\u201d\u2019s production design, as if they were coming from a shipwreck. They were, in fact, real Roman remains. A group of stray hippies lived where. We made this up, in oder to emphasize a crazy atmosphere; \u201cMastorna\u201d was their city, &#8220;which was named Dementia&#8221;. So I wrote a \u2018fake\u2019 poem, attributed to one of those fake tramps (some authors or some Cin\u00e9math\u00e9ques went on periodically asking me for the original text or the name of the author of those verses for years, and I had to tell them it was a \u2018fake within a fake\u2019)&#8221;.<br \/>\n(Bernardino Zapponi, Il mio Fellini, Marsilio, Venice, 1995, pp. 26-27)<\/p>\n<p><strong>Reviews<\/strong><\/p>\n<p>&#8220;There are indeed some sequences in Fellini\u2019s Notebook that are exceptionally good, as in the wreckage of buildings and spaceship in \u201cMastorna\u201d, or when seeking faces of the ancient world among strongly-built common people for \u201cSatyricon\u201d, or else during a night visit to the Coliseum, mysteriously rich in vice and loneliness, or the day the director is receiving acquaintances and newly met people in his office, who would like to perform as background actors in his next movie. Here Fellini does not aim at being objective in describing himself, but is rather showing his own fantastic world as if it were objective. Thus we discover [&#8230;] that the sequence of exasperated surreal visions about sex and loneliness, humor and tenderness, [&#8230;] it is actually the only way Fellini can look at reality. It is an urgent need to distort reality, distressingly&#8221;.<br \/>\n(Lino Miccich\u00e8, \u201cAvanti!\u201d, 7 May 1969)<\/p>\n                        <\/div>\r\n                                    <\/div>\r\n            <\/div>\r\n        <\/div>\r\n\r\n    <\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":3995,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20,22],"tags":[],"class_list":["post-4209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fellini-en","category-filmography"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Block-notes di un regista - Fellini Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fellinimuseum.it\/en\/block-notes-di-un-regista\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Block-notes di un regista - 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